This is the first time I’ve seen them and had a genuinely gut-punchy emotional reaction. Not just “This person gets it” or “This really captures them perfectly” – or even “They look better here than in my head”, the last of which is true with surprising frequency. Not even “I love that my characters meant so much to someone”, which is about as perfect a feeling as an author can get.
In this case, I mean an actual wrenching internal lurch that made me feel – just for a moment – the same way so many people feel when they tell me they miss First Claw. It was the first time that seeing them again actually made me miss them, too.
Here’s Augustus’ thread if you want to see more of his work.
No prizes for guessing who you can preorder now.
So. Games Workshop have made a mini of one of my characters. That’s a sentence I’ve basically hoped would be true since I was a little kid, and is a pretty significant tick on the bucket list. I thought this’d be a moment where I jumped up and down and shrieked in playgroundish delight, but the truth (just like the day I hit the New York Times bestsellers’ list) is a bizarre sense of awestruck serenity.
More surreal than anything else.
Well, surreal and awesome.
It’s both obvious and weird that it’s Sev. Obvious because he’s easily my most popular and asked-about character, and he has a rank in the Heresy that deserves some time on the tabletop. Weird because authors don’t always write what they love; sometimes they write what they have ideas for at any given time. I occasionally joke about not liking him the way Paul Sheldon doesn’t like Misery Chastain. That’s not true but the analogy always tickles me, and there’s at least a thread-thin sliver of truth there. I like that people like him. That matters more, sometimes, especially when you’re trying to tell people a story.
But I digress. There’s gushing to be done.
Dat mini, tho.
People will ask if he matches what’s in my head, and I’ll say no – because that’s the truth. He looks waaaaay better for a start, and secondly, as I’ve mentioned before, I don’t really have concrete and definite pictures in my head for every detail of a character’s appearance. When I see artwork or modelled incarnations of my characters, I do the same thing I do when I’m writing them: I look for the 3-4 key details and the overall vibe. Talos isn’t a clear, definite image in my mind: he’s a vague aura of characteristics and details, like the runic faceplate; the exposed cables of Mark V armour; the broken Aquila on his chestplate; and the distinctive weapons he stole – all with an aura of melancholic anger and optimistic self-delusion, which is the core of his personality to me.
Capture a handful of key details and the overall vibe, and I’m sold. That’s how it always is with the many models and pieces of artwork I get sent, depicting my characters. That’s how it is with my novel covers, too.
So… what about Sevatar?
It’s impossible to overstate just how rad and fucking brutal Sev looks in his tabletop incarnation. Alan Bligh and John French gave him awesome, characterful rules, and Forge World’s Steve Whitehead has floored me with this resin-born slice of wickedness.
What can I even say, really? He looks perfect. The model speaks for itself.
(Also, I maximum adore the bareheaded Ravenloft look he’s got going on here, and in his HH book artwork.)
Actually, I’m lying. I didn’t see this in the wild, but it’s hit the desks at Black Library Towers, and I’m pretty much in love with how it looks.
I like how subtle and understated it is. It’s not wacky or cartoony, and credits the license with some intrigue and maturity. Admittedly, only in our beloved 40K license could you consider Hellpeople on Fire in the Shadows to be “subtle”, but let’s just say I’m pretty damn pleased with this one. The Night Lords Series has had some of the most consistently beautiful artwork BL has ever produced (Thanks, Jon Sullivan; look for your name in the Foreward), and even though it’s a change in direction, it’s one I’m dead pleased with.
As you may know, my sadfaced, lip-quivering rants about artwork are rare but, uh, “pointed” and “poignant”. I’ve never been afraid to sink to the lowest depths of unprofessionalism in saying I can’t stand a cover. But my last three have been this one, The Talon of Horus, and Armageddon. If it was BL’s intent to butter me up with lovely covers and shame me into hitting my deadlines, then… fuck, it might actually work.
Anyway, more details as they come in.
EDIT: Details have come in. Regarding the contents, here’s a l’il glance at what’s inside:
On another note, remember my Deathwatch Campaign? Brother-Intendant Deiphobus of the Minotaurs is rolling along with some slow painting progress. Better photos coming soon:
I get a lot of images (and often the models themselves, as gifts) of First Claw conversions. It’s always flattering, always awesome, and always a surprise. I keep every single one for my office (and soon, for the Aaronorium).
But… Jesus Christ. Here’s the newest one. Just look at these guys.
I keep getting asked this one.
Along with “When will we see some Night Lords stuff in the Heresy?” and “Will we get to see any pre-Heresy Curze?”
Most of all: “When will we get to see more of Sevatar?”
The answer to all of these things is “Go away and leave me alo–” Uh, I mean, “Shadows of Treachery is out in October.”
My contribution to this (which was supposed to be in The Primarchs) is Prince of Crows, which is a novella about (gasp!) Konrad Curze, Sevatar, and the Night Lords Legion after another run-in with the Dark Angels. It’s set just after ‘Savage Weapons’ and The Lion, and opens up with the VIII Legion devastated after the Dark Angels kicked their asses left and right across the Thramas Sector. The Legion lost the final battle, Curze is crippled after the Lion cut his throat, and the remaining Night Lord commanders are meeting up to decide just their options are. It also has a significant chunk of what I’d have sliced into a Night Lords novel, which is about Curze’s past and growth on Nostramo, and how he went from beggar child on the streets to their happy, happy king.
Oh, and it explains just why Sev is called the Prince of Crows. It’s really not why you think.
I kinda-wanna also add that this is a novella, not a short story. It’s about 3-6 times as long as a short story (depending on the story) and closer to 30-50% of a novel (depending on the novel). In short, it’s quite long, and took me fucking ages to do. It needed to tell a lot of backstory about Curze, show the Legion in its current state after getting mauled by the Dark Angels, and set up a future Night Lords novel which I’d obviously quite like to do in the relatively near future. But I write slowly, so hold your freaking horses on that score. I’m still doing Betrayer, then (probably?) the first Abaddon/Black Legion novel, still tentatively titled The Talon of Horus.
If any of this sounds remotely interesting, then… behold.
Black Library’s been publishing daily extracts in its newsletter all week, which I’m guessing will include today and tomorrow, too. I’m heading off to London today, and Chicago tomorrow (ooooh, such a jetsetting lad…) so I can’t link or post anything else past the first three extracts, which I was told about last night by some well-meaning soul on Facebook. But for convenience, I thought I’d spin these up here. For the rest, you’ll need to subscribe. Off you go.
Go on, now.
(By the way, if you’re at Games Day US on Saturday, me and Jim Swallow will see you there.)
So, without further wordjunk from Yours Truly:
I just remembered (after being told by someone, so “remembered” is sort of the wrong word) that Void Stalker is released in eBook in the next few days. Or even now, depending on whether you believe the liars, mongrels and charming souls on my beloved Facebook page.
I think the dead tree version is only about a month away, too. This all kinda crept up on me.
Here are 2 very detailed – but spoiler-free – reviews, for anyone who gives a fuck:
1. The Founding Fields: “For its amazing story, fascinating and engaging characters, visceral battle scenes and endings that will have any fan of the Sons of Curze cheering in midnight clad, I give Void Stalker a score of 11/10, this is a story that breaks the mould and deserves a score that breaks the scoring rank.”
2. Civilian Reader: “I’ve said it before, and I’ll say it again – Dembski-Bowden blows all tie-in fiction conceptions out of the water. Fifteen years ago, Dan Abnett reinvented WH40k fiction with his Gaunt’s Ghosts novels. With the Night Lords series (and also The First Heretic), Aaron DB has perfected it. He’s easily among my top five favourite authors. He is a genius at writing nuanced, complex characters. I will read anything he writes. Very highly recommended, Void Stalker is a masterful conclusion to a superb series.”
Woah. I mean… woah.
Y’know, the problem with seeing stuff like that is I always think “Oh, man. How the fuck do I beat that?”
No pressure, right?
Way, way too many questions to do them all, guys. Sorry about that. I’ll try to hit the more relevant ones.
I cut and pasted the questions directly, to save myself some time:
- “What have you found hardest about writing for the Grey Knights?”
Two things: one practical, one creative.
The practical difficulty was simply that the Grey Knight codex dropped while The Emperor’s Gift was already underway, and the changes in the lore meant that a lot of what I’d written was suddenly invalidated. Some bits needed rewriting, some bits needed scrapping. That’s contributed pretty massively to me missing this deadline, actually – which is weird, as for once the reason isn’t just me fucking around and writing slowly.
The creative difficulty is a pretty easy answer, too. It comes down to the fact that every single one of the Grey Knights is psychic. You already have the fact none of the Adeptus Astartes interact with humans (or with each other) in “normal” ways. Now you have their absolute bleeding edge elite warriors – the very limits of what you can do to a human body – and have to deal with the fact they’re also psychic.
The characters in The Emperor’s Gift are bonded closer than a Space Marine squad from any other Chapter could ever be. They speak psychically as often as with their voices, and they can sense each other’s emotions and thoughts as easily as you or I can read someone’s expression. Each of them is ferociously psychic on his own, but they excel when they channel their powers through their Justicar.
- “What’s the news about you doing a 2-parters about Abaddons rising as new Warmaster? And will Void Stalker be the definite ending to the Night Lords series or is there some potential to sequals?”
There’s no news on the Abaddon series, because even if I knew I was doing it, it’s waaaayyyyyy too early to announce it. It might happen, it might not. I look at my notes from time to time, then feel guilty at my sliding deadlines, and try to get back to the serious business of finishing my current projects. If I ever did it (in my notes it’s called “The Abaddon Thing” or “Rise of the Warmaster”), then it’d probably be a long series, not a duology, anymore.
As for Void Stalker, it doesn’t necessarily have to be the end of the Night Lords Series, but it’s very definitely an end to that particular era.
- “Putting the existing lore aside, which references (especially historical) did you look up? For the Night Lords you referred to the Mafia, in this case the Grey Knights may have something in common with the Knightly orders of the Medieval age. Was it difficult to make them distinct from the Black Templars, even if they have something in common (heraldry etc) ?”
The Grey Knights are so distinct that it’s almost impossible to make them like anyone or anything else. They’re humanity stretched to its absolute limit, with a more sacred and secret duty than any other living beings in the galaxy. From reading a lot of Dark Ages and Middle Ages jazz through the years (much of which was for RPG work), I’ve got a pretty solid grip on the ins and outs of knightly life. There’s not a lot of it that applies to the Gee Kays, but they definitely have a knightly atmosphere around them, especially on Titan, in their fortress-monastery.
- “Like the cover art more there than when I first saw it. Looking forward to TEG!”
Me too. And, me too.
- “What will you bring to the table writing Grey Knights that is different from the previous Grey Knights novels with Justicar Alaric?”
That’s actually dead difficult to answer. I’m not sure. I mean… a different writing style, I guess. I write differently to Ben Counter. It’ll be my approach to characterisation and description, and TEG focuses on a newly-inducted Grey Knight, trying to find his place after being placed in a very honourable squad with a long and noble history.
I think it involves a little more interaction with humans (the squad spends much of its time with an Inquisitor and her warband), and there’s probably different types of interaction between the squadmates themselves, and their enemies. It’s my take on the Grey Knights, really. I want to show a very deep slice of what it’s like to live as one of them.
- “Did you get headaches writing for Grey Knights?”
Sort of. It’s written in the first person, like Eisenhorn and… a bajillion other novels… which was a new experience, but it’s not been any harder than writing in the third person. I’ve been writing as slow as I usually do. It’s just different, rather than worse.
- “We are coming up on 6 years since the first Horus Heresy book was published, I know the series is very popular, but being in the know, any idea how much longer it will stretch out before they get to the end?”
I mention that at about 24:25 minutes in: http://www.youtube.com/watch?feature=player_embedded&v=6xxJMo5tl04.
- “How did recent fluff regarding the Grey Knights exterminating Daemons on their home-turf ( inside the warp) and Draigo making the Dark Gods cry like pristine Japanese schoolgirls with his Chuck Norrisian round-kick, affect your work and do you agree with the changes?Also, don’t you think that making the Grey Knights unbeatable kinda makes them ridiculous ?”
It affected my work “a lot”, in that I had to trash a lot of it. That hurt, but it comes with the territory. I wasn’t even annoyed, just pretty demoralised for a while. It also meant that instead of writing a duology, I decided to do just the one novel, and move on to another project. Some of the rewrites happened because of me making it one story instead of two, but most came about because a lot of the lore simply changed underfoot. You shouldn’t take that as me ragging on the new design philosophy for the Grey Knights, as it’s nothing so blunt and simple. Stuff changes all the time – you can’t be a baby about it, it’s just the nature of the beast when it comes to working within an established IP.
As to the “unbeatable” thing, I don’t think it makes them ridiculous, but I can’t speak objectively, really. I can say that (on a personal level) their new incorruptibility diminishes a lot of what I liked about them. It changes a lot of what I found noble about them into something else. There’s a world of difference between “No Grey Knight has ever fallen to Chaos because of their constant effort and absolute purity” and “Grey Knights simply can’t fall to Chaos because of what they are, so they’re free to use the weapons of the enemy if they wish.” I’m not saying one is better than the other. Both are interesting takes on the elite order. They’re just very different in theme, atmosphere and characterisation.
- “Do you have much freedom to play around with the established canon or does the Ordo Black Librarius keep a close eye on such things?”
- “Your Dark Angel short story “Savage Weapons” was epic in the latest HH anthology. Have you considered writing a “contemporary” Dark Angel novel/short story, set in the 41st Millennium – or are the Dark Angels given over to Gav Thorpe?And Merry Christimas!”
- “Are they planning to do an audio version of this book? And did the cyber mastiff really make it into the cast list?”
I think so. But the amount of psychic speech involved makes my head hurt to think of how they’ll do it.
And yes, he did.
- “You’ve written short stories for the Flesh Tearers and Crimson Fists, would you ever consider writing more with them (single novel or series)?”
Sort of. I wanted to write for the Flesh Tearers a while ago, but it was refused first because it’d be too close to the Blood Angels series that Jim was doing. That was also when I was very new, and the word “No” featured more often than it does now. More recently, I know a friend of mine is hoping to get more involved with them, so I’d not pitch for them out of respect for him.
As for the Crimson Fists, I have a lot of love for those guys. They’d be in the Top Ten choices for a loyalist Chapter I’d write about, but I’m still (jokingly) bitter my 14-page pitch for a Crimson Fist trilogy was vetoed when Rynn’s World was already being written in secret.
- “You seem to like finding the empathetic, likable element to the traditional 40K “bad guys,” even as their evil is undeniable. With the Grey Knights being about as “good guys” as they get, how are you looking to give us an emotional hook into them? Are you going to do the revere and dirty them up a bit, or do you have somethin more devious in mind?”
- “Will you finish it on time?”
- “So with Void Stalker in the bag and The Emperor’s Gift being all shiny with it’s cover art, are there any other Astartes Chapters or Legions that you’d like to write about?”
- “As a writer do you find it challenging at times to keep in tune with the IP, of all the authors for BL/GW you seem in my opinion to be one of the few authors who ‘gets’ 40k. I know that is of course subjective but from my perspective if we look at the IP say from the ‘gaming’ point of view, reading Codices or White Dwarf there appears to be an angle which is, make the army we have just released utterly awesome-skyrim+9-to-the-max even if it goes against current lore or seems completley out of character based on existing lore. Do you just try and avoid or ignore work that has an air of marketting to the teenage demograph, or do you try and incorporate the new lore and make it work within the context of existing BL work.”
- “Although there are a number of reasons I say this (im sure you have heard the rage before) the one that set me off was the Grey Knight Dreadknight, which on a personal level I feel looks like a giant baby carrier, something my local GW Manager will not let me say out loud in his shop (I hate those Deomcracies of one). But the justification for the model and concept was ‘wouldnt it be great for Astartes to go toe to toe with a Demon, when all previous lore, and I think a fairly central theme to 40k is the idea that humanity isnt going toe to toe with anyone, everything prior to this model is the one guy, normally with a massive hammer holding out against impossible odds against things bigger, meaner and probably way better in bed that he has ever been.”
About going toe-to-toe… That’s true, sure. Going toe-to-toe against helpless odds is where the pathos is, I guess. I wouldn’t dispute that, but I don’t think it means the Dreadknight has no place at all. It’s just a new dynamic. It’s not any one person’s place to say whether something is Absolutely Right or Absolutely Wrong for the setting. 40K is all about shades of grey, and a billion possibilities.
Personally, the Dreadknight is one of the aspects of the Grey Knight changes that I’m not putting in the novel. It’s not that I think the concept sucks, or anything. It’s purely a matter that (like you, but less… angry) it diverges from what I like about that particular aspect of 40K. As writers, we’re all free to put in and take out what we like and dislike about the setting, by focusing on what we enjoy.
For me, when it comes to fighting daemons in 40K, it’s a seminal and quintessential deal of the whole license. It’s the lone man with a broken sword, fighting through his wounds against a creature twenty times his size. It’s that cold, cold moment when he looks up… and up… and up… and realises he’s absolutely fucked. He’s going to die. But he has faith, and he has a hammer, and he’s the only one left to hold the line. Being equal to the daemons isn’t something that interests me, but I can see why a Grey Knight would invent the Dreadknight. I just prefer the Warhammer: Mark of Chaos trailer-style daemon fight, or Inquisitor Rex standing against the towering form of An’ggrath, or Gandalf against the Balrog.
You’ll notice Gandalf doesn’t try to kill the Balrog. He shouts “You shall not pass.” He’s holding the line, not trying to carve his name in its heart. They’re both 40K-style actions, it’s just that one resonates with me more.
- “What is ‘The Emperor’s Gift’?Did you collaborate with the artist on the cover art?How good is ‘heretically good’?”
1. It’s a nod to a line in the Grey Knight codex. “A Grey Knight’s psychic presence is anathema to creatures of the warp, utterly unpalatable to a Daemon’s dark appetites and thus entirely immune to corruption. Such was the Emperor’s gift to the first Grey Knights; a legacy renewed in each new generation of Battle-Brothers.”
Incidentally, sometimes the capitalisations in 40K confuse the hell out of me.
2. I did, but much less than usual. I sent a few notes, that was about it.
3. No idea, dude. You’d have to ask Dan.
- “Is this a story arc likely to turn into a series?
Are we going to see many (if any) characters appearing from other established books (yours or other authors) or codexes?”
1. …depends on reader feedback, I guess. It’s not my plan, but there’s a lot of scope for it. Spin-offs, especially.
2. Yeah, but not many. The first book originally had zero “famous” characters like that, but with the story evolving as it did (and becoming one book instead of two) there are now a few famous types nosing about here and there. Which is weird, as it wasn’t the original intent. None of them are main characters.
- “I second the question about Abaddon ! A rise of the warmaster dualogy would be great ! By the way, when does prince of crows take place ? Will it feature the dark angels and the Lion again also and the tsagualsa battles between night lords and dark angels or will it be about another event / time ?”
The Prince of Crows takes place at the end of the Thramas Crusade, when the Night Lords have literally just lost to the Dark Angels. The Dark Angels aren’t in it much; it’s mostly about the Night Lords dealing with the fallout, and a lot of Curze’s introspection about where he’s at in life.
As requested by a bunch of people (when I offered on Wednesday), here’s the prologue to Void Stalker.
As you may have guessed from Soul Hunter and Blood Reaver, things aren’t going First Claw’s way. Behold, the beginning of the inevitable conclusion, and please remember that this is a first draft – essentially unchecked – and it may never appear in the final novel in this form.
It probably will, though. I’ll just catch any typos and sentences I’m not keen on before then.
– RAIN –
THE PROPHET AND THE murderess stood on the battlements of the dead citadel, weapons in their hands. Rain slashed in a miserable flood, thick enough to obscure vision, hissing against the stone even as it ran from the mouths of leering gargoyles to drain down the castle’s sides. Above the rain, the only audible sounds came from the two figures: one human, standing in broken armour that thrummed with static crackles; the other, an alien maiden in ancient and contoured war plate, weathered by an eternity of scarring.
‘This is where your Legion died, isn’t it?’ Her voice was modulated by the helm she wore, emerging from the death-mask’s open mouth with a curious sibilance that almost melted into the rain. ‘We call this world Shithr Vejruhk. What is it in your serpent’s tongue? Tsagualsa, yes? Answer me this, prophet. Why would you come back here?’
The prophet didn’t answer. He spat acidic blood onto the dark stone floor, and drew in another ragged breath. The sword in his hands was a cleaved ruin, its shattered blade severed halfway along its length. He didn’t know where his bolter was, and a smile crept across his split lips as he felt an instinctive tug of guilt. It was surely a sin to lose such a Legion relic.
‘Talos,’ the maiden smiled as she spoke, he could hear it in her voice. Her amusement was remarkable if only for the absence of mockery and malice. ‘Do not be ashamed, human. Everyone dies.’
The prophet sank to one knee, blood leaking from the cracks in his armour. His attempt at speech left his lips as a grunt of pain. The only thing he could smell was the chemical reek of his own injuries.
The maiden came closer, even daring to rest the scythe-bladed tip of her spear on the wounded warrior’s shoulder guard.
‘I speak only the truth, prophet. There’s no shame in this moment. You have done well to even make it this far.’
Talos spat blood again, and hissed two words.
The murderess tilted her head as she looked down at him. Her helm’s crest of black and red hair was dreadlocked by the rain, plastered to her death mask. She looked like a woman sinking into water, shrieking silently as she drowned.
‘Many of your bitter whisperings remain occluded to me,’ she said. ‘You speak… “First Claw”, yes?’ Her unnatural accent struggled with the words. ‘They were your brothers? You call out to the dead, in the hopes they will yet save you. How strange.’
The blade fell from his grip, too heavy to hold any longer. He stared at it lying on the black stone, bathed in the downpour, shining silver and gold as clean as the day he’d stolen it.
Slowly, he lifted his head, facing his executioner. Rain showered the blood from his face, salty on his lips, stinging his eyes. He wondered if she was still smiling behind the mask.
He was going to die here. Here, of all places. On his knees, atop the battlements of his Legion’s deserted fortress, the Night Lord started laughing.
Neither his laughter nor the storm above were loud enough to swallow the throaty sound of burning thrusters. A gunship – blue-hulled and blackly sinister – bellowed its way into view. As it rose above the battlements, rain sluiced from its avian hull in silver streams. Heavy bolter turrets aligned in a chorus of mechanical grinding, the sweetest music ever to grace the prophet’s ears. Talos was still laughing as the Thunderhawk hovered in place, riding its own heat haze, with the dim lighting of the cockpit revealing two figures within.
The alien maiden was already moving. She became a black blur, dancing through the rain in a velvet sprint. Detonations clawed at her heels as the gunship opened fire, shredding the stone at her feet in a hurricane of explosive rounds.
One moment she fled across the parapets, the next she simply ceased to exist, vanishing into shadow.
Talos didn’t rise to his feet, uncertain he’d manage it if he tried. He closed the only eye he had left. The other was a blind and bleeding orb of irritating pain, sending dull throbs back into his skull each time his two hearts beat. His bionic hand, shivering with joint glitches and flawed neural input damage, reached to activate the vox at his collar.
‘I will listen to you, next time.’
Above the overbearing whine of downward thrusters, a voice buzzed over the gunship’s external vox speakers. Distortion stole all trace of tone and inflection.
‘I felt like I owed you.’
‘I told you to leave. I ordered it.’
‘Master,’ the external vox speakers crackled back. ‘I…’
‘Go, damn you.’ When he next glanced at the gunship, he could see the two figures more clearly. They sat side by side, in the pilots’ thrones. ‘You are formally discharged from my service,’ he slurred the words as he voxed them, and started laughing again.
The gunship stayed aloft, engines giving out their horrendous whine, blasting hot air across the battlements. The rain steamed on the prophet’s armour as it evaporated.
The voice rasping over the vox was female this time. ‘Talos.’
‘Run. Run far from here, and all the death this world offers. Flee to the last city, and catch the next vessel off-world. The Imperium is coming. They will be your salvation. But remember what I said. If Variel escapes alive, he will come for the child one night, no matter where you run.’
‘He might never find us.’
Talos’s laughter finally faded, though he kept the smile. ‘Pray that he doesn’t.’
He drew in a knifing breath as he slumped with his back to the battlements, grunting at the stabs from his ruined lungs and shattered ribs. Grey drifted in from the edge of his vision, and he could no longer feel his fingers. One hand rested on his cracked breastplate, upon the ritually-broken Aquila, polished by the rain. The other rested on his fallen bolter, Malcharion’s weapon, on its side from where he’d dropped it in the earlier battle. With numb hands, the prophet reloaded the double-barrelled bolter, and took another slow pull of cold air into lungs that no longer wanted to breathe. His bleeding gums turned his teeth pink.
‘I’m going after her.’
‘Don’t be a fool.’
Talos let the rain drench his upturned face, no longer gracing the gunship with even a shred of attention. Strange, how a moment’s mercy let them believe they could talk to him like that. He hauled himself to his feet and started walking across the black stone battlements. In one hand he held a broken blade; in the other, an ancient bolter.
‘She killed my brothers,’ he said. ‘I’m going after her.’
Void Stalker is almost 3/4 finished now. I made some huge cuts and changes, shuffling entire plot sections around, and realised that one of the scenes being cut now meant something important was missing.
I did a search to make sure I wasn’t just being paranoid, and sure enough, my amused fears were correct.
To those of you who’ve read Soul Hunter and Blood Reaver, this may be of interest.
I will rectify this at once, of course.
I also have pretty huge news to share, and the next Dear Fuchsia to post either tomorrow or Monday.
I’m working today and going to my brother-in-law’s 21st tonight, escorting my increasingly swollen bride, so the juicy blogging will have to wait a tiny bit longer.
And lastly, another reminder to follow my proper, betterer, more importanter Facebook page: http://www.facebook.com/aarondembskibowden. The transfer from my current one is almost complete. Every reminder boosts numbers a bit more, but I think the changeover will be done by early next week.
Those who are about to rock, I salute you.